Some of these techniques work well with non-alpha content so be sure to try them out to get the most out of your library. The methods outlined allow you to add remixed content to your collection easily using the power of Resolume. Backgrounds that are easily customizable and can further extend the use of your existing content. This tutorial also goes step-by-step to show you ways to create versatile backgrounds using a mix of Transform properties and various effects such as VideoWall and Mirror. Techniques to create variations from your existing alpha content are explained, specifically shapes and formations using the Kaleidoscope and Iterate effects. You will learn how content with alpha channels work, along with some of the advantages of using single element loops such as shapes. I personally dislike MJPEG, unless I am working with an older or slower comuting platform.All things alpha channels are explained in this tutorial for Resolume Arena 4 & 5, and Avenue 4. These offer a good tradeoff for performance and storage. My personal preference is to pick codecs that have a lot of I-frames in them, but do not require tons of storage, and are contemporary.Generally, these are the professional MPEG codecs, one step above AVCHD/H.264. This offer applies while Resolume 6 is in beta, so dont wait too long. Check out chapter 14 - p103 of the manual so if you have MOTU AudioDesk or Digital Performer, you could play your 5 tracks, generate timecode from the sequencer and sync your video in Arena that way. Or Avenue 4 AND Avenue 6 for the price of one. Your MOTU 828mkII can generate SMPTE timecode using the MOTU SMPTE console. Buy Resolume now because only now you get both Arena 5 AND Arena 6 for the price of one. Resolume will require a faster processor to work efficiently with I-P-B codecs. Checkout the video to see the highlights of version 6 and checkout the Whats New page. So, just to summarize - I-Frame is best for Resolume, but requires faster disks (SSD is best), more storage (less efficient compression - large SSD is best, and generally has poorer quality than I-P-B codecs like MPEG-2, MPEG-4, AVCHD, AVC, ProRes, etc. The AVI container is cross-platform, but is the native container for the VFW video processing technologies, first developed by Microsoft for Windows 3.1. QuickTime processing on Windows OS requires installation of the QuickTime libraries and some of the codecs are also installed at this time. QuickTime is the native codec to Mac OS and video processing on Mac OS is dependent on QuickTime. The animation is highly rhythmical yet easily mixable. Orange and cyan is just the best colour scheme, and the loops have a beautiful sense of depth. They also jumbled this up with the native video processing libraries inside the Mac OS, so it's generally difficult to understand QuickTime altogether. 80 loops of abstract imagery, yet it has a distinct and recognisable style. Unfortunately for us, they made this both a codec and a container (MOV), making all of this even more difficult to understand. QuickTime is a proprietary technology produced by Apple. Resolume allows you to play video forwards and backwards, doing this with I-P-B is mathematically challenging, and therefore requires additional processing, so that's why MPEG-style codecs do not perform as well (or rather, require additional processing). Unfortunately, these codecs either occupy a LOT of storage space (and play poorly from non-solid state hard drives), or they have poorer quality than I-P-B style codecs.Īgain, all of this is independent of the container type (AVI or MOV, etc.) Video codecs (CO-mpressor DEC-ompressor) are widely varied and perform differently on different systems.Ĭodecs should not be confused with file containers (filetypes like AVI and MOV).įrom my experience, the codecs that perform best in Resolume are codecs which have individual frames stored inside them, these are known as intra-frame codecs or i-frame codecs.
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